The Anatomy of the Book: Recovery & Discovery - A Book Arts Symposium

This past Saturday, despite the snow/mix that came to the DC area, I went to the book arts symposium put on by Corcoran School of The Arts and Design/ The George Washington University.  I was joined by some other intrepid folks and enjoyed an afternoon of talks on artist books and type.

The keynote speaker was Daniel Kelm. For those of you who don’t know Daniel, he is a vastly fascinating man. He was formally trained in chemistry and taught for many years. His interest in books began in the late 1970’s and has continued since that time. 



He talked about his formative years and interests in chemistry, even setting up a lab outside his father’s dark room, where he almost killed himself making chlorine gas. As book artist, his interested has evolved around the integration of art and science and the connection between book and the reader. Some of his works are these amazing articulated sculptures without words.  People are invariably awed and connected to the work after playing with them.  It was a great talk.

The next three presenters were equally interesting.  Lilla Vererdy, the head of Special Collections at the Dibner Library gave a talk entitled, The Anatomy of an Anatomy Book: Johnannes Ketham’s 1495 Work in Joyce Cutler-Shaw’s Hands (2004).

This was especially interesting, as this book artist has used the original 1495 book as a launching pad. While given this project in 1995, she took almost 10 years to finish. She travel extensively to Italy to see medical models, and books. Spent time in dissection labs and drew pictures, wrote both prose and poems as a reflection of the original text. The end result is a beautifully done book that I will post about in detail in a later post.



Stan Nelsons talk on Hand Made Type: Art or Anachronism, was also interesting.  He talked about the process of making type by hand. He is probably one of the last people working on this time consuming process.  He brought samples of some of his letterpress work that used type he’d made and also the punches and process pieces he’s working on currently.



The last speaker was Ward Tietz. His talk, “The Tension Between Word and Image”, was scholarly and perhaps because it was later in the afternoon, I had a bit of a hard time following.  His premise was our brains are changing, the way we interact with text and image is changing and will continue to change.





After the three spoke individually, there was a panel discussion.  By this time, I’ll admit, I was a little concerned about the road conditions.  I stayed a while at the closing reception, had a change to speak to both Lilla and Ward about their talks and then got back on the train to Virginia.




If course, I made it home, but it was not a fun 5 miles….